Auditions
Be part of the magic of Starlight! Explore the audition process for future shows.
2024 Starlight Theatre Auditions
Starlight, the 57th season, is HERE! We’ve got brand new, fantastic shows, a beautiful sound system, and a theatre that opens up to the stars! So, come on everyone, let’s "Open it Up" together!
When:
- Auditions: Feb 29 – March 3 and March 7-9, 2024
- Callbacks: March 10-12, 2024
- All auditioners will be emailed by Friday, March 15, 2024 regarding casting decisions.
- An organizational meeting with the entire Starlight Company (all five casts and all staff) will take place on Saturday, March 16, 2024 from 8:00 a.m. – 12:00 p.m.
Where:
Auditions take place at our Bengt Sjostrom Theatre on Main Campus. Parking is available in Lot #1 or Lot #9b. The audition check-in table is inside the southeastern entrance of the stage house (behind the theatre). Once on campus, follow the signs that lead to the audition entrance! View the Campus Map.
Contact Us
- Starlight Box Office
- (815) 921-2160
- Tuesday-Friday: 10 a.m. and 4 p.m.
As the Rock River Valley is a diverse and fantastically colorful population, Starlight Theatre, as a community theatre, wants to reflect that brilliance. We at Starlight encourage and accept all people of life and love to share in the stars under our roof, both on and off stage. If you have the passion, this is the place for you.
Audition Options
Schedule an Audition
Note: This is the preferred method. Appointments may be scheduled online in 15 minute blocks, but be prepared to stay about an hour and a half due to dance auditions.
Walk-Ups Welcome
You may also choose to walk-up for an audition. However, please be prepared to wait a while for an audition slot to open. View the audition schedule date/time options.
Submit a Video
Alternatively, you can submit an audition video via email that includes your singing, acting, and dance auditions. Review the video entry details below.
About the Audition Process
In-Person Auditions
The preferred audition method is to schedule an appointment in advance. Appointments are scheduled in 15 minute blocks, but be prepared to stay about an hour and a half due to dance auditions. With one appointment, you may audition for one or all productions. Walk-ups are also welcome during the dates/times below.
Note: If you want time to work on callback material, schedule your audition for the first weekend!
Auditions will be held:
Adult Auditions
- Fri., March 1 • 5:45-9 p.m.
- Sat., March 2 • 9:45 a.m - 5 p.m.
- Sun., March 3 • 9:45 a.m. - 5 p.m.
- Thu., March 7 • 7-9 p.m.
- Fri., March 8 • 5:45-9 p.m.
- Sat., March 9 • 9:45 a.m - 5 p.m.
Kids & Young Adults (16 & Under)
- Thu., Feb 29 • 4-9 p.m.
- Fri., March 1 • 4:30-5:30 p.m.
- Sat., March 2 • 8:30-9:30 a.m.
- Sun., March 3 • 8:30-9:30 a.m.
- Thu., March 7 • 4-7 p.m.
- Fri., March 8 • 4:30-5:30 p.m.
- Sat., March 9 • 8:30-9:30 a.m.
Dance Calls
On the same day as your audition, dance calls will take place, in groups, for the dance part of your audition:
- Thu./Fri. • 5:30 p.m. and 8 p.m.
- Sat./Sun. • 9:30 a.m., 11:45 a.m., 1 p.m., 2:30 p.m., and 4 p.m.
Video Auditions
Alternatively, you can submit an audition video. Audition videos MUST be received before 5 p.m. on Saturday, March 9, 2024.
The singing, acting, and dance portions of the auditions should be on the same video. If you are not tech savvy enough, don’t worry – you may submit multiple videos. You may submit the video(s) as files (MP4, WebM, 3GPP, MOV, AVI) or link(s) (YouTube, Google Drive, or Dropbox) via email to RVCStarlightTheatre@gmail.com and also complete the Video Audition Form. If possible, please include your first and last name when saving/naming files. Discs and files will only be accepted with a completed audition form.
At the end of your audition day, or at a later date, we will email you (with the email you gave us) if we need to see anything further. This is not an indication of final casting.
- Note: Auditioning the first weekend gives you more time to study the sides/songs than auditioning the second weekend.
- It is strongly advised that you attend the callbacks if called back. Also, we prefer that you be discreet about your callback, if you get one.
- Video Auditions: we will still invite you to a callback if we need to, but if you cannot attend, you will still be considered for roles.
The callback schedule is as follows:
- Legally Blonde: March 10 from 8 a.m. - 12 p.m.
- Guys and Dolls: March 10 from 1-5 p.m.
- The Color Purple: March 10 from 5-9 p.m.
- Newsies: March 12 from 5:30-9:30 p.m.
- StarBright’s Beauty and the Beast: March 11 from 5:30-9:30 p.m.
Warning: Daylight Savings begins March 10, 2024!
We know that for some, being on stage for a production is no longer a viable option, whether that’s due to an aging body, a surgery, extraordinary scheduling conflicts, or simply a rough summer. However, we are absolutely aware that Starlight is more than just a theatre, more than just a community; it is a family! We wanted to make sure that there was a way for people to participate in a major way, be a part of the family for the summer, but not necessitate their being on stage; and so we thought of the Legacy Ensemble! For a select show, we will be looking for an ensemble of singers to augment the voices that we have onstage by:
- Attending the musical rehearsals throughout the summer
- Attending every show and singing backstage during the show
The Legacy Ensemble is still an auditioned role, so... audition!
Legally Blonde
This year's Legacy Ensemble show is Legally Blonde!Prior to auditions, you must complete:
- Before auditions, complete the Waiver of Liability Form. You may download it online to print and complete it or call the Box Office to request a copy be mailed to you. This form is required to be considered for a role.
- After you reserve your audition slot, you will receive a confirmation email containing the Audition Form. This form must be completed prior to auditions as well. Be honest about your conflicts and audition information. We will do everything we can to accommodate pre-existing conflicts within the published rehearsal schedule, but no one may be excused from "must dates" (review the rehearsal schedules below).
Liability Waiver Form Schedule an Audition
Rehearsal Schedules by Show:
- Legally Blonde (Google Calendar)
- Guys and Dolls (Google Calendar)
- The Color Purple (Google Calendar)
- Newsies (Google Calendar)
- Beauty and the Beast (Google Calendar)
- Legally Blonde Calendar (PDF)
- Guys and Dolls Calendar (PDF)
- The Color Purple Calendar (PDF)
- Newsies Calendar (PDF)
- Beauty and the Beast Calendar (PDF)
Your audition must/will include three parts:
- Performance of a Song: Select 16 measures of a song to feature your range and vocal skills. We prefer a song
from this summer’s musicals, but we will accept other musicals or songs if you are
more comfortable. The song does not need to be memorized, but it’s preferable.
An accompanist is provided for in-person auditions, but if you're recording your song, please try to find backing tracks or accompaniment to sing to in your video. We will accept acapella, but we certainly prefer singing with instrumentation. - Performance of a Monologue or Side: You must read a scene/monologue for your audition. Sides are available for specific
roles at the bottom of this page. They do not need to be memorized, but it helps.
In many of the sides, multiple characters speak. If you are recording, try to have someone off-camera speak the other lines or even combine different characters’ lines so that you can be featured more. Be creative to give us a better understanding of your abilities. There is no roadmap. For in-person auditions, these lines will be read by Stage Management.
Access the sides (linked below). Scripts are available for reading in the RVC Box Office between 10 a.m. and 4 p.m. on weekdays. - Performance of a Dance: You must perform a dance as well. For in-person auditions, you must attend a dance
call listed in the dance call section. So, either be prepared to wait or show up early
to your audition to attend one!
Dances have been pre-recorded for you to learn ahead of your audition. Choose one of the dances (Level 1: Beginning, Level 2: Intermediate, or Level 3: Advanced) and perform it. At auditions, there will be a half-hour instructional/warm-up period before all dance calls! Those who have a difficult time learning the dance or have questions about the dance can learn and ask at these times. Access the Dance Audition Videos (linked below).
*If you are auditioning for Newsies, you should highly consider doing both a selection of dance AS WELL AS the tap dance audition. Note: the tap dance audition video is not yet available, but please stay tuned – it's coming soon!
There are over 160 people cast a season who require sets be built, multiple costumes constructed, props created, etc. We simply do not have the staff to create all of this AND appropriately staff the shows as well. As this is a community theatre, it will take a community to accomplish the task.
- We require 8-10 hours of volunteer hours in and above being in the show for all who are cast.
- Volunteer hours can take place with costumes, set, props, box office, crew, concessions, ushering, house managing, almost anything!
- We will also be setting up shifts to clean after rehearsals and shows. Expectations are that you will pitch in when needed.
Explore the Magic of Starlight
Here are some highlights from last season's shows:
Cinderella
Make magical moments come to life with the Starlight Theatre community.
Footloose
Dance into a world where every step tells a story through the help of our talented choreographers.
In the Heights
Feel the power of every lyric, from enchanting melodies to electrifying performances.
Oliver!
Connect with the audience through emotional storytelling that's sure to tug at the heartstrings.
The Stinky Cheese Man
Create a lively, energetic atmosphere that leaves the audience buzzing with excitement.
The 2024 Season
Legally Blonde
Get ready to bring the sass, the sparkle, and the bend-and-snap to our upcoming production of Legally Blonde The Musical! We're on the lookout for talented performers to bring Elle Woods, Warner, Paulette, and the entire Harvard Law crew to life. From infectious musical numbers to comedic brilliance, Legally Blonde promises a stage filled with pink energy and empowering vibes. Whether you're a Broadway-bound triple threat or a comedic genius ready to shine, join us as we transform the stage into a pink-hued paradise. Break a leg, and let's make this production raise the Starlight roof like never before!
- June 5-8 at 8 p.m.
- June 8 at 2 p.m.
- July 10-14 at 8 p.m.
- Director: Clarrissa Dahlhauser
- Choreographer: Jenny Vause
- Music Director: Cassie Johnson-McGirk
- Stage Manager: Christine Garner
- Costume Designer: Bethany Nelson
- Set Designer: Andrea Bechert
- Lighting Designer: Gabrielle Tifft
The overall cast consists of:
- 12 Named Principals
- 10 Featured Ensemble
- 20-28 Male/Female/Nonbinary Ensemble
Overall costume note for women – the show takes place in the early 2000’s so the low-rise jeans, cropped shirts, short skirts, short shorts and hairstyles might not be what you are used to wearing. Depending on the role you could be asked to wear short shorts, cropped shirts, short skirts, a sports bra and leggings, wear multiple layers of clothes, and/or a sleeveless top.
Overall costume note for men – the show takes place in the early 2000’s so the baggy clothes and hairstyles might not be what you are used to wearing. Depending on the role you could be asked to not wear a shirt, wear a short sleeve top, wear multiple layers of clothes, and/or short shorts.
Access the rehearsal schedules below:
Legally Blonde (Google Calendar) Legally Blonde Calendar (PDF)
Elle Woods (Stage Age 22-25; Mezzo-Soprano)
- This leading lady is the head of her UCLA sorority Delta Nu and has a love of fashion and style. Her pink outfits and blonde hair make her appear less intelligent and an outcast when compared to the prim and proper Harvard community. Elle Woods discredits the classic blonde bimbo stereotype and is a very positive person who always sees the best in others and herself. She is loyal, bubbly and honest. Actor should have strong vocal stamina (sings in 16 numbers IN HEELS) and be able to act and dance well. Actor must be comfortable with dogs and with both onstage intimacy and light violence. Female presenting.
- Intimacy Requirements: Will be required to kiss Emmett and be kissed forcefully by Callahan onstage. She must be comfortable slapping Callahan across the face (choreography will be in place).
- Costume Requirements: Elle will need to walk and dance in heels for the entire show. She has costumes that include sleeveless dresses, a tank top, low rise jeans, a bunny suit (a leotard), cropped shirts, suits, and dresses. Elle also has all quick changes, so you need to be comfortable getting changed backstage (possibly in front of others) with changers helping you. Elle is blonde, so if you are not blonde we will ask that you color your hair or be wigged.
Paulette Bonafonte (Stage Age 25-40; Mezzo-Soprano)
- Elle’s favorite brassy manicurist who longs for a meaningful romance of her own and loves anything to do with Ireland. Paulette is close with Elle, and while she is seemingly very self-conscious, has a personality that is big and true to her whimsical self. Looking for an actor with great comedic timing who can sing, move, and be comfortable with both dogs and onstage intimacy. Female presenting.
- Costume Requirements: Paulette will be in layers and styles that are very early 2000’s. She will need to walk and dance in heels for the entire show. Paulette has costumes that include a short denim skirt, leggings, off the shoulder top, a tight knit dress, and a pregnancy belly. Paulette has some quick changes, so you need to be comfortable getting changed backstage (possibly in front of others) with changers helping you or by yourself.
Vivienne Kensington (Stage Age 22-25; Mezzo-Soprano/Strong Soprano Belt)
- Overachieving, smart and savvy law student; Warner’s new girlfriend and fiancé. Intellectually driven, yet feels threatened by Elle’s presence at Harvard. Dismisses Elle as classless at first, but grows to befriend her. Looking for a singer who can act, move, and be comfortable with onstage intimacy. Female presenting.
- Intimacy Requirements: Will be required to kiss and be affectionate with Warner onstage.
- Costume Requirements: Vivienne has costumes that include low rise pants, a short skirt, a blazer, tights and heels. Vivienne has quick changes, so you need to be comfortable getting changed backstage (possibly in front of others) with changers helping you or by yourself.
Brooke Wyndham (Stage Age 25-35; Mezzo-Soprano)
- A beautifully aging Deltu Nu sorority sister who stars in her own line of exercise videos. Brooke should exude confidence and poise. Actor must be visibly physically fit with excellent cardiovascular strength/endurance; she belts while jumping rope. Looking for an actor who can sing, dance, and is comfortable with form fitting clothing. Female presenting.
- Costume Requirements: Brooke has costumes that include low rise pants, a sports bra top, heels, bodycon dresses, and possibly a wig.
Pilar (Stage Age 20-25; Mezzo-Soprano/Soprano)
- Delta Nu sorority sister/Greek Chorus Member. She is the sassy and sensible one, and she is at the peak of fashion. Looking for a singer and dancer who can act. Female presenting.
- Costume Requirements: Pilar has costume pieces that include a possible crop top, a sleeveless top, a skirt with a slit, a tank with cut outs, and a short skirt.
Serena (Stage Age 20-25; Mezzo-Soprano/Soprano)
- Delta Nu sorority sister/Greek Chorus Member. She is the UCLA cheerleader who has spunk and isn’t afraid to tell everyone her opinion. Lead singer of “Bend and Snap”. Looking for a singer and dancer who can act. Female presenting.
- Costume Requirements: Serena has costume pieces that include a possible cropped top, a short skirt, a sleeveless top and possibly heels.
Margot (Stage Age 20-25; Mezzo-Soprano/Soprano)
- Delta Nu sorority sister/Greek Chorus Member. She is the man hungry, seemingly dim-witted one. She is a workout junkie. Numerous large solos. Actor must be comfortable with dogs, and must be able to sing and move well. Female presenting.
- Costume Requirements: Margot has costume pieces that include a possible crop top, a sleeveless top and low rise pants.
Kate (Stage Age 22- 25; Alto)
- Delta Nu sorority sister/Greek Chorus Member. She is the smart and nerdy one who is education chair at Delta-Nu. She helps Elle prepare for the LSAT. Heavy soloist able to sing and move. Female presenting.
Enid Hoopes (Stage Age 22-27; Mezzo-Soprano)
- Harvard law student and extreme feminist. An outspoken personality – dresses very grunge/goth. Actor must be comfortable playing possible lesbian stereo-types. Looking for an actor who can sing and move. Female presenting.
- Intimacy Requirements: Will be required to be affectionate with another girl onstage.
- Costume Requirements: Enid has costume pieces that include low rise pants, a choker, wearing multiple layers of clothes, combat boots, a pantsuit and chains. She will need to be wigged for the show, and you will have to be able to quick change in and out of a wig very fast on stage.
Chutney Wyndham (Stage Age 25- 35) – Stepdaughter to Brook Wyndham. She dislikes that her “murdered” father married a woman younger than her. Female presenting.
Mrs. Woods (Stage Age 48-60) – Elle’s classy & supportive mom. Female presenting.
Whitney – Vivienne’s best friend who has a party at her apartment. Female presenting.
Emmett Forrest (Stage Age 24-27; Tenor)
- One of Harvard’s top law students from Roxbury and Callahan’s Teaching Assistant. Goal-oriented, at the cost of his social skills, and comes from an unfortunate and difficult background. He is one of Elle’s only friends at Harvard and eventually falls in love with Elle. Emmett is charming and friendly. Looking for a singer who can act, move, and is comfortable with onstage intimacy. Male presenting.
- Intimacy Requirements: Will be required to kiss Elle and be affectionate with her onstage.
- Costume Requirements: Emmett will wear anything from jeans, a t-shirt and sweatshirt, to a suit and tie. He does get changed during “Take It Like A Man” onstage, out of a blazer and khakis into a suit. Emmett has some quick changes, so you need to be comfortable getting changed backstage (possibly in front of others) with changers helping you or by yourself.
Warner Huntington III (Stage Age 22-25; Tenor)
- Charming, confident and good-looking law student who wants to be a senator someday; Elle’s ex-boyfriend. Plastic charm. His self-centered nature destroys everything that he could have had with Elle. Looking for an actor who can sing, move, and is comfortable with onstage intimacy. Male presenting.
- Intimacy Requirements: Will be required to kiss Vivienne and be affectionate with other girls onstage.
Professor Callahan (Stage Age 40-60; Baritone)
- A self-important and manipulative law professor at Harvard. He judges and objectifies Elle. Callahan should be both charismatic and conniving. Nearly devoid of morals, and aims to rid his students of their scruples. Looking for an actor who can sing, move, and is comfortable with onstage intimacy and light violence. Male presenting.
- Intimacy Requirements: Will be required to forcefully kiss Elle onstage and be slapped (choreography will be in place) Character will be depicting forcefulness of sexual acts and making inappropriate/offensive comments towards others.
Kyle (Stage Age 25-45)
- The UPS guy. Paulette’s Salon is on his route, and they are smitten with one another. Looking for a highly masculine individual. Actor must be comfortable with dogs and intimacy. Male presenting.
- Costume Requirements: Kyle has costume pieces that include short shorts, a tight short sleeved button up and a button up shirt that is half unbuttoned.
Dewey (Stage Age 30-50)
- Paulette’s ex-boyfriend. Red neck, lazy, and not very nice to Paulette. Must be comfortable showing stomach onstage and being mean. Male presenting.
- Intimacy Requirements: Will be depicting the threat of domestic violence onstage
Sundeep Padaman (Stage Age 22-27; tenor) – New Harvard law student who was royalty in his home country. Attending Harvard primarily to network and gain allies to assist in taking back his throne. Looking for a person of color who is a singer and can act. Male presenting.
Aaron Schultz (Stage Age 22-27; Tenor) – A new Harvard Law Student and multi-millionaire. Ridiculously accomplished and sure of himself, despite a bit of social awkwardness. Looking for a singer who can act and dance. Male presenting.
Mr. Woods “Elle’s Dad” (Stage Age: 48-60) – Elle’s wealthy, “country club” father. Looking for a singer who can act and move. Male presenting.
Carlos/Nikos (Stage Age 25-35) – A same-sex couple who are laying low until an opportune moment. Nikos, Brooke’s pool boy, alleges he had an affair with Brooke Wyndam until Carlos outs him. Looking for stylish gentlemen who can dance and sing. Male presenting.
Winthrop, Lowell, and Pforzheimer (Stage Age 35-55) – Harvard Admissions Council Members who evaluate Elle’s entrance into Harvard. Winthrop does not think Elle should be granted entrance while Lowell and Pfozheimer try to convince him otherwise. They are featured in the last part of What You Want. These actors need to be able to sing and move and will double in the ensemble. Male presenting.
Guys and Dolls
Attention, dynamic performers! Join us on the bustling streets of 1950s New York City as we bring the classic Guys and Dolls to life. We're on the lookout for actors with the charisma of Sky Masterson, the sass of Adelaide, the charm of Nathan Detroit, and the vivacity of Sarah Brown. From high-stakes gambles to toe-tapping tunes, this production demands voices that resonate and characters that sparkle. Whether you're a crooner, a dancer, or a scene-stealer, audition for a chance to be part of this Broadway and Starlight classic. Break a leg, and let's create a Guys and Dolls spectacle that'll have audiences singing and dancing in the aisles and under the roof!
- June 12-15 at 8 p.m.
- June 15 at 2 p.m.
- July 17-21 at 8 p.m.
- Director: Mychall Cornejo
- Choreographer: Elle Laesch
- Music Director: Steve Wolfgram
- Stage Manager: Zach Marquardt
- Costume Designer: Victoria Benson
- Set Designer: Carmen Turner
- Lighting Designer: Gabrielle Tifft
The overall cast consists of:
- 9 Named Principals
- 30-40 Male/Female/Nonbinary Ensemble
Access the rehearsal schedules below:
Guys and Dolls (Google Calendar) Guys and Dolls Calendar (PDF)
Miss Adelaide (Stage Age 25-35; Alto)
- Miss Adelaide is the principal showgirl for the Hot Box Girls, a flirtatious and sexy nightclub act. She is smart, talented, beautiful, and adored by the men around her – but all she really wants to do is settle down and get married to her longtime fiancé, Nathan Detroit. She is a confident, sexy, vivacious, energetic woman and is often the more powerful presence in the dynamic between herself and Nathan. Nathan may be well-respected and powerful in the gambling world, but domestically, Miss Adelaide calls all the shots, except one. She still lacks a wedding ring. Nathan’s inability to commit has rendered Adelaide so upset that she suffers from a permanent head cold. Due to her cold, Adelaide is often portrayed as having a rather nasal voice. Needs a very strong comic actress who can belt. The actress playing Adelaide must move well and have good command of her body and her costume may be a touch revealing. She is an accomplished and seductive performer.
- Intimacy Requirements: Will be required to kiss/be affectionate with Nathan Detroit, Will also be asked to dance/dress provocatively due to being a Burlesque dancer
Sarah Brown (Stage Age 20-40; Soprano)
- Sergeant Sarah Brown is a principled and idealistic young evangelist who adores her Grandfather, Arvide. Crusading against sin in debauched New York sometimes disheartens her, but she is very determined and clings to her optimism despite the circumstances. Fresh-faced and pretty, Sarah often attracts the attention of the “sinners” around her, but her buttoned-up, prim and prudish ways keep them well at arms length. Sarah has romantic notions about love and looks forward to falling in love with her principled and gallant white knight, but tells herself that she is happily saving herself until then. She’s not had much adventure in her life – and when Sky Masterson comes along and woos her despite being the opposite of the white knight over which she’s fantasized, there’s a lot of pent up energy to be unleashed. All that religious zeal and passion for her work gets channeled in a much wilder direction. Must be an actress of range, with an ingenue’s innocence, a leading lady’s charisma and then a sexy wild child inside, waiting to be unleashed.
- Intimacy Requirements: Will be required to kiss Sky Masterson, as well as be lifted/hit on while dancing in the Havana Dance Scene, Might be required to slap a man across the face that will be choreographed
Sky Masterson (Stage Age 25-45; Baritone)
- Sky Masterson, whose given name is Obediah, is famous for his ability to live on the edge. An accomplished gambler, Sky takes the rash bets everyone else dismisses (thus, the name “Sky,”) including one to make stuffy, prudish evangelist Sgt. Sarah Brown fall for him. He is a suave charmer, a ladies’ man, and a bad boy. He has had many women, but has managed to keep himself free of romantic entanglements. Sky is confident, clever, and resourceful – but is very uncomfortable being vulnerable, emotionally vulnerable or authentic. All that changes for him when he starts to truly fall in love with Sarah, and reveals a hidden sensitivity, buried inside. Should have the feeling of being just a little bit dangerous.
- Intimacy Requirements: Will be required to kiss Sarah Brown, as well as be comfortable dancing intimately close to another person, Might be required to throw a fake punch to another person in the Havana dance scene and will be choreographed
Nathan Detroit (Stage Age 25-45; Baritone)
- Nathan Detroit manages the oldest established traveling craps game in New York. He is well-respected by all of his gambler peers, and a man of significant clout. That being said, his status outside of the law has rendered him neurotic and it also makes him nervous about committing to anything permanent – including marriage to his longtime fiancée, Miss Adelaide. Stuck between the pedestal his peers have pressured him onto and the love of his life, Nathan is in a constant state of being needed by many.
- Intimacy Requirements: Will be required to kiss/be affectionate with Miss Adelaide
Arvide Abernathy (Stage Age 50+; Baritone)
- Arvide is a sweet, wise, and caring man who always wants what’s best for Sarah. Arvide has a parental quality about him, and is a source of wisdom and guidance for Sarah. Always has a twinkle in his eye. Should be a strong actor with warmth and gravitas. Should at least be a strong character singer, as he carries the solo “More I Cannot Wish for You.”
- Intimacy Requirements: Will be required to hug and console Sarah Brown
General Matilda Cartwright (Stage Age Mid-40s to Late 60s; Mezzo-Soprano) – The regional representative of Save-a-Soul Missions, General Cartwright is a presence much talked about and anticipated even before we meet her. In person, she is intimidating: a powerful, matronly leader with a no-nonsense attitude. Eventually, we discover she also has a well-developed sense of humor.
Nicely-Nicely Johnson (Stage Age 25-45; Tenor) – Nicely-Nicely Johnson is a gambler who has earned his name because of his sunny demeanor and his abiding desire to please. He is a kind man, though a crook, and filled with high spirits. Nicely is imaginative, warm, and genuine. He works as Nathan’s lackey and is extremely loyal and devoted to his friend. Nicely has a voracious appetite and must be a charismatic comedic actor and a strong singer (though a character voice is definitely acceptable). He sings the lead in the showstopper, “Sit Down, You’re Rocking the Boat.”
Benny Southstreet (Stage Age 25-50; Baritone) – Benny is a man who gets things done, and is proud of his place as Nathan’s right-hand man. Clever and slick, he is a gambler who enjoys being in a position of power in the gambling world. Benny is a man who takes initiative - sometimes more than his boss would like - but everything he does, he does with what he assumes are Nathan’s best interests at heart.
Harry The Horse (Stage Age Mid 30s to Mid 50s; Baritone) – Harry the Horse is a gambler with a reputation in the New York community, but also has connections in Chicago which allow him to bring Big Jule into the New York craps game. He is roguish enough that he collected a reward on his very own father, and came into quite a bit of money as a result. Harry is a bit more socially well-adjusted than Big Jule and does a lot of the front work.
Big Jule (Stage Age 30-50s; Spoken Feature) – A man whose reputation precedes him, Big Jule is a heavy-hitting gambler in Chicago. His presence in New York causes a major stir. He is a man of few words, but much clout. Typically, Big Jule is played by a large actor whose imposing physical person matches his status (though, there is some precedent for casting a diminutive actor with a Napoleon complex). He may be a bit oafish and a little dull, but offending Big Jule has terrifying consequences. Big Jule enters the story late in the first act, but is a force to be reckoned with in the hearts and minds of Nathan and his companions even before we see him onstage.
Lieutenant Brannigan (Stage Age 25-55; Spoken Feature) – Lieutenant Brannigan is a New York police officer who is obsessed with closing down Detroit’s craps game. He is an uncompromising, tough man, with a no-nonsense attitude.
Ensemble & Vocal Parts
- The ensemble members will play Sightseers, Gamblers, Hot Box Performers, Waiters, and Cuban Dancers. There are a few featured roles within the ensemble, which include: a drunk, a waiter, Liver Lips Louie (a male gambler), Angie the Ox (a male gambler), Rusty Charlie (a male gambler) and the mission band members Agatha, Calvin and Martha, and Hot Box girls Allison, Ferguson, and Vernon. Vocal Parts – SATB.
- Intimacy Requirements: Hot Box Performers will be asked to dance/dress provocatively due to being Burlesque dancers. Dance Features in the Havana Dance Scene will require partner dancing that will be sensual, as well as a dancer that will flirt with Sarah Brown and might be punched by Sky Masterson (this will be choreographed).
The Color Purple
Embrace the soul-stirring journey of The Color Purple as we seek exceptional performers to bring this powerful musical to life on our stage. From the poignant narrative of Celie to the vibrant energy of Shug Avery and the resilience of Sofia, this production demands voices that echo with emotion and hearts ready to share the triumphs and tribulations of these unforgettable characters. Whether you're a powerhouse vocalist, a masterful actor, or a dancer with a soulful spirit, join us for auditions and be part of a musical experience that transcends the stage. Step into the world of The Color Purple, where every note and every step tells a story of strength, love, and the enduring power of the human spirit. The Starlight stage has never seen a show like this!
- June 19-22 at 8 p.m.
- June 22 at 2 p.m.
- July 24-28 at 8 p.m.
- Director: Marcus Tobias
- Choreographer: Brooke Johnson
- Music Director: Chris Joyner
- Stage Manager: Jenna Christ
- Costume Designer: Victoria Benson
- Set Designer: Carmen Turner
- Lighting Designer: Cameron Strandin
- Mentor Director: Christopher D. Brady
The overall cast consists of:
- 8 Named Principals
- 3 Featured Ensemble
- 24 Male/Female/Nonbinary Ensemble
Access the rehearsal schedules below:
The Color Purple (Google Calendar) The Color Purple Calendar (PDF)
Celie (Stage Age 14-30; Mezzo Soprano)
- This Leading lady is our storyline. Celie is the sister of Nettie who is chosen to marry Mister and enter a life of torment, but rises above it all through strength, self-love and discovery. Actor should have very strong vocal ability (with strong belt) and be able to act and dance well. Female presenting/African American.
- Intimacy Requirements: Actor must be comfortable with talk and actions of Domestic/Sexual Violence and Abuse (Verbal and Physical) as well as intimacy involving portrayal of same female sex relationship.
Nettie (Stage age: 15-30; Soprano/Mezzo Soprano)
- Sister to Celie. Very bright and filled with wonder and adventure. Mister has his eyes to marry Nettie, but is forced to take her sister Celie. Nettie runs from home to be with Celie and Mister, then is removed from her sister by Mister. Actor should have strong Soprano Voice and be able to act and dance well. Female presenting/ African American.
- Intimacy Requirements: Actor must be comfortable with actions and talks of Sexual Harassment and Abuse (Verbal and Physical)
Albert “Mister” (Stage Age 30-late 50s; Tenor/Baritone)
- Our Leading Man. Albert (Mister) is a farm owner who is looking for a new wife and mother for his children. Wanting Nettie as his wife, he is forced to take Celie. Mister is a miserable man who takes his life frustrations and failures out on Celie. Actor should have strong tenor vocals or strong baritone vocals and be able to act and dance well. Male presenting/ African American.
- Intimacy Requirements: Actor must be comfortable with talks and actions of Sexual Violence and Abuse (Verbal and Physical)
Harpo (Stage Age 18-28; Tenor)
- Son to Mister. Harpo is a sweet and caring young man (completely different from his father) Harpo falls for the lovely and strong-willed Sofia who he can’t seem to control or get to respect him. Actor should have strong Tenor vocals and be able to act and dance well. Male presenting/African American.
- Intimacy Requirements: Actor must be comfortable with Actions and Talks of Physical Abuse.
Sofia (Stage Age 18-28; Alto/Mezzo Soprano)
- Sofia is a feisty, but loving woman. She’s strong and deeply in love with Harpo, till one day he beats her after receiving advice from Mister and Celie on how to “handle her” in their marriage. Actor Must have a strong alto voice (with great belt) and be able to act and dance well. Female presenting/ African American.
- Intimacy Requirements: Actor must be comfortable with intimacy as well as talks and Actions of Domestic Abuse and Physical Assault as well as being comfortable with stage combat fight.
Shug Avery (Stage Age 30-50; Mezzo Soprano/Alto)
- Shug is a sultry jazz singer who is the previous lover of Mister. She arrives back in her hometown after abusing drugs and alcohol. Taken in by mister to have Celie nurse her back to health, she finds herself falling in love with Celie as well as Celie’s kindness towards her. Actor must have very strong Belt as well as jazzy vocal stylings and be able to act and dance well. Female presenting/African American.
- Intimacy Requirements: Actor must be comfortable with onstage intimacy as well as portraying same female sex relationship.
Pa (Stage Age 40-75; Baritone/Bass)
- Pa is the Step father of Celie and Nettie. Pa is a stubborn man who has forced Celie to take over the duties of her mother as well as her own. Pa is also the owner of the general store in the town. Mister talks to Pa regarding the hand of Nettie as his wife. Pa refuses, and instead offers Celie due to her being older. Actor must have strong bass or baritone vocals and be able to act and dance well. Male presenting/African American.
- Intimacy Requirements: Actor must be comfortable with talks and actions of Sexual/Physical abuse.
Squeak/Mary Agnes (Stage Age 20-30; Soprano)
- Squeak is the later girlfriend of Harpo. Squeak aka Mary Agnes has a sweet little squeaky voice and starts to work for Harpo at his Juke Joint. While she is happy with Harpo, she starts to worry about his loyalty when his ex-Sofia is back in the picture after leaving Harpo. Actor should have great soprano vocals and be able to act and sing well. Female presenting/African American.
- Intimacy Requirements: Actor must be comfortable for Stage Combat fight.
Church Ladies: Darlene, Jarene, and Doris (Stage Ages 30s-60s; Soprano/Alto/Mezzo Soprano)
- This trio are the Gossiping Church ladies who also portray our storytellers who give the recaps of our story and characters throughout the musical. These women are catty and will always “have the tea on everyone” actors must have very strong church vocal ability and be able to act and dance well. Female Presenting/African American.
- Intimacy Requirements: Actors must be comfortable with talks of sexual abuse and derogatory wording of women.
Ensemble: (Stage Ages 18-60; Soprano/Mezzo Soprano, Alto, Tenor, Baritone, Bass)
- Our Ensemble includes Adam, Olivia, Ol’ Mister, Grady, and Church Soloist. All ensemble actors should have strong vocals and be able to act and dance well. African American Male/Female presenting.
- Intimacy Requirements: Actors must be comfortable with talks and actions of Abuse in any form, as well as stage intimacy and combat.
Newsies
We're gearing up to seize the day and bring the exhilarating world of Newsies to life on our stage. From the vibrant streets of New York City to the inspiring tale of the newsboy strike, this production demands dancers with flair, singers with heart, and actors with the grit to stand up for what they believe in. Join us for auditions and be part of this high-energy, Tony Award-winning musical that celebrates the power of unity and the triumph of the underdog. Lace up your boots, grab your news caps, and let's make headlines together under the Starlight roof!
- June 26-29 at 8 p.m.
- June 29 at 2 p.m.
- July 24-28 at 8 p.m.
- Director: Christopher D. Brady
- Choreographer: Mychall Cornejo
- Music Director: Mark Miller
- Stage Manager: Mary Peterson
- Costume Designer: Bethany Nelson
- Set Designer: Cameron Strandin
- Lighting Designer: Cameron Strandin
Overall cast information:
- 12 Named Principals
- 15 Featured Ensemble
- 15-20 Male/Female/Nonbinary Ensemble
Overall costume note for women – the show takes place in the early 1900’s so long skirts and tops will be the norm.
Overall costume note for men – the show takes place in the early 1900’s so baggy shirts and pants with suspenders will be the norm. The richer men will most likely be in suits. It will be warm…
Access the rehearsal schedules below:
Jack Kelly (Stage Age 16-25; Tenor)
- The charismatic leader of the Manhattan newsies, is an orphaned dreamer and artist who yearns to get out of the crowded streets of New York and make a better life for himself out West. Fiercely protective of his best friend, Crutchie, and strongly loyal, Jack isn’t afraid to use his voice to attain better conditions for the working kids of New York City. Though living on the streets has given him a tough-guy exterior, Jack has a big heart and can demonstrate a sweet vulnerability – especially when it comes to bantering with a certain female reporter. Must have a great pop tenor voice and sense of physicality. Male presenting.
- Intimacy Requirements: Will be required to kiss and be intimate with Katherine onstage. He will also be required to commit acts of violence.
Crutchie (Stage Age 14-25; Tenor)
- A dedicated newsie with a bum leg that’s painful, but helps sell more papes. Though he walks with the assistance of a crutch, Crutchie doesn’t let it define him; when in a jam, Jack Kelly’s best friend relies on a goofy-sweet sense of humor and optimistic resilience. Crutchie is the heart of the resistance. Though his movement will suggest his bum leg, Crutchie should still be included in the dance numbers. Male presenting.
- Costume Requirements: Will need to walk with a crutch/limp the entirety of the show.
Davey (Stage Age 15-23; Tenor) – Les’s straight-laced, bright big brother starts selling newspapers to help his family earn a living, but becomes swept up in the fervor of the strike. A leader in his own right who is learning to use his voice to uplift others, Davey is the brains of the resistance. Male presenting.
Les (Stage Age 10-15) – Davey’s cheeky younger brother, is inspired by the freedom of the newsies and loves their independent lifestyle. A precocious and natural newsie, Les is an intuitive salesboy and a pint-sized charmer. He should present as younger than the other newsies. Male presenting.
Katherine Plumber (Stage Age 17-25; Mezzo-Soprano with belt)
- An ambitious young reporter, works hard to make a name for herself as a legitimate journalist in a time when women aren’t taken seriously. Quick, funny, and resourceful, she boldly captures the voice of a new generation rising in her coverage of the newsies’ strike. While she generally has no time for cocky, streetwise young men, she makes an exception for Jack Kelly. Though she only has a brief dance solo in “King of New York,” Katherine should have a great contemporary pop voice with a high belt – diction is key. Female Presenting.
- Intimacy Requirements: Will be required to kiss and be intimate with Jack Kelley onstage.
Newsies (Stage Ages anywhere from 15-25)
- Newsies include Albert, Buttons, Elmer, Finch, Henry, Ike, Jo Jo, Mike, Mush, Race, Romeo, Specs, Splasher, and Tommy Boy.
- They are some of the hard-working kids of New York City that go on strike for a livable wage. Male & Female presenting.
- Intimacy Requirements: Will all be required to commit acts of violence (staged) onstage.
Spot Conlon (Stage Age 16-24) – The proud leader of the Brooklyn newsies, boasts an intimidating reputation and a short singing solo in “Brooklyn’s Here.” Male presenting.
Medda Larkin (Stage Age 30-50; Alto) – Inspired by vaudeville performer Aida Overton Walker, this big-voiced saloon singer and star of the Bowery offers her theater as a safe haven for the newsies. An astute entertainer with great comic delivery, she’s a good friend to Jack and stands firmly behind the newsies in their fight for justice. Female presenting.
The Bowery Beauties (Stage Age 18-30; Alto)
- Female performers at Medda’s Theater. Female presenting.
- Intimacy Requirements: Will be required to show their legs and arms, if that’s a concern.
- Costume Requirements: As indicated above, you will be wearing the skimpiest outfits. That said, early 1900s skimpy is not the same as today. Mostly just legs and arms are showing. Possibly some chest.
Darcy (Stage Age 15-25) – The upper-class kid of a publisher who sides with the newsies. Can double as a newsie. Male or Female Presenting.
Bill (Stage Age 15-25) – The son of William Randolph Hearst who joins the newsies' cause. Can double as a newsie. Male Presenting.
Wiesel (Stage Age 35-50) – Also known as “Weasel,” runs the distribution window for the World and knows most of the newsies by name. Assisted by the intimidating Delancey brothers, who keep order by any means necessary, Wiesel is Pulitzer’s disgruntled paper-pusher. Male Presenting.
Oscar and Morris Delancey (Stage Age 17-27) – Tough brothers who work at the distribution window for the World, take the side of the publishers in the strike and are known to use their fists to make a point. Male Presenting.
Joseph Pulitzer (Stage Age 35-50; Baritone) – A pompous businessman through and through, owns the World and is concerned solely with the bottom line. Katherine’s no-nonsense father, Pulitzer doesn’t sympathize with the strikers, but he does eventually – and grudgingly – respect Jack. Male Presenting.
Seitz (Stage Age 35-50) – Editor, advises Pulitzer, but ultimately admires the kids’ newspaper. Male or Female presenting.
Bunsen (Stage Age 35-50) – Pulitzer’s bookkeeper, comes up with the ideas to raise the newsies’ price per paper. Male or Female presenting.
Hannah (Stage Age 20-40) – Pulitzer’s practical and insightful secretary. Female presenting.
Nunzio (Stage Age 30-50) – Pulitzer’s barber. Male or Female Presenting.
Guard (Stage Age 20-60) – The Guard removes the newsies from Pulitzer’s building. Male or Female Presenting.
Snyder (Stage Age 45-65) – The crooked and sinister warden of The Refuge, a filthy and horrible orphanage, is concerned only with catching enough kids to keep his government checks coming. Male Presenting.
Stage Manager (Stage Age 25-55) – Introduces Medda's act. Female or Male Presenting.
Nuns (Stage Age 20-60) – The three nuns offer breakfast to the hungry newsies. May cast additional nuns. Female Presenting.
Photographer (Stage Age 15-30) – Takes the triumphant photo of the newsies at the end of “Seize the Day.” Female or Male presenting.
Mr. Jacobi (Stage Age 35-55) – Allows the newsies to congregate in his restaurant to plan their strike – when he doesn’t have any paying customers, that is. Male presenting.
Mayor (Stage Age 45-60) – The Mayor of New York City rebuffs Pulitzer’s attempts to shut down the newsies’ strike. Male presenting.
Governor Teddy Roosevelt (Stage Age 50-65) – A well-respected lifelong public servant, inspires Jack to stand up to Pulitzer.
Ensemble – The singing-est, dancing-est bunch that you ever did see!
Child Laborers (Stage Age 8-18) – There will be 10-20 kids of this age range who can/will be cast as the child labor underbelly of the time. These kids will do what their title indicates, they will labor. As part of the cast, they will be responsible for moving the set pieces in-between scenes. These kids sing and act, but they do not participate in dance until the final number. Still, they are a costumed and integral part of the show. If a role like this is still interesting to you, by all means audition!
StarBright's Beauty and the Beast
Introducing our Brand-new Starlight experience, The StarBright series! This annual production will showcase our rising stars here at Starlight. Auditioners from ages 8-18 are highly encouraged to try this show on for size – we think you'll find it just right! So, go ahead, step into the magical world of Beauty and the Beast as we cast the spell for our upcoming production. We're searching for young actors with the charm of Belle, the transformative power of the Beast, and the whimsical energy of Lumière and Mrs. Potts. From show-stopping musical numbers to timeless characters, this tale as old as time promises an unforgettable experience, especially in this brand-new slot. This is no Jr. show. This is no theatre for young audiences. This is a true, full-length show. Be part of the magic, embrace the fairy tale, and audition to become a cherished part of our enchanted cast and ground-breaking experience. Break a leg, and let the journey from the Starlight stage to the castle begin! No audition or show fee is required; just your beautiful selves.
- August 7-10 at 8 p.m.
- August 10 at 2 p.m.
- Director: Jennifer Thompson
- Choreographer: Ashley Hogan
- Music Director: Jim McDowell
- Vocal Director: Jodi Beach
- Stage Manager: Christine Garner
- Costume Designer: Daniel’e Apperson
- Set Designer: Brandon Mechler
- Lighting Designer: Gabrielle Tifft
Overall cast information:
- 16 Named Principals
- 15 Feature Ensemble
- 8 Principal Dancers (prologue, wolves, tavern, dishes, servants)
- 10-20 Teen/Children Ensemble
Access the rehearsal schedules below:
Beauty and the Beast (Google Calendar) Beauty and the Beast Calendar (PDF)
- Belle (Mezzo-Soprano) – A very curious, often aloof, and intelligent young woman who wants to live a life as magnificent as those she reads in books. Special considerations: will be involved in some stage combat and will be required to kiss the Beast. Female presenting.
- Beast (Baritone) – A strong-willed prince who has been transformed into a beast. Underneath a demanding and hot-tempered exterior, there is a warm, loving heart just waiting to unearthed. Special considerations: will be required to perform with prosthetics and/or head piece; role also includes stage combat and will be required to kiss Belle. Male presenting.
- Maurice (Baritone) – Belle’s father; an eccentric inventor with a deep love for his daughter. Special considerations: role requires some stage combat. Male presenting.
- Gaston (Baritone) – A narcissistic hunter who thinks the world was created for his consumption. Special consideration: must be comfortable being rude and demanding to others; role requires stage combat. Must be comfortable commanding the stage and having the Les Fille de la Ville flirt and fawn non-stop. Male presenting.
- Lefou (Baritone) – Bumbling, fawning follower of Gaston who is a bit dim-witted. Male presenting.
- Les Filles de la Ville (3) – Young women who swoon over Gaston. Special considerations: will be required to overtly flirt with and fawn over Gason. Female presenting.
- Monsieur D’Arque (Tenor) – A creepy, looming figure who is the head of the village insane asylum. Male presenting.
- Lumiere (Baritone) – A refined man-servant obsessed with Babette; enchanted as a candelabra. Male presenting, but can be cast any.*
- Cogsworth (Baritone) – A tightly-wound, always worried about everything, head servant enchanted as a mantle clock. Male presenting, but can be cast any.*
- Mrs. Potts (Mezzo-Soprano) – A very maternal, warm-hearted head of the castle kitchen staff and mum to Chip; enchanted as teapot. Female presenting.*
- Chip (Tenor) – The adorable and endearing son of Mrs. Potts enchanted as a teacup. Male presenting, but can be cast any.*
- Madama de la Grande Bouche (Mezzo-Soprano) – A boisterous lady’s maid and opera singer, enchanted as a wardrobe. Costume considerations: will be especially hot and perhaps a little cumbersome during an August outdoor performance. Female presenting.*
- Babette – A frisky, flirtatious, and sassy housekeeper who is the object of Lumiere’s affections; she is enchanted as a feather duster. Female presenting.*
*Special considerations: must be able to execute stage combat while in costume pieces that exemplify inanimate objects.
Producing Artistic Director's Note
If you haven’t lived it, you don’t know. Starlight summers are extraordinary! We live musical theatre, family, and fun all summer! This year will be more of it! The community, comradery, and the work we do documents our lives. It’s powerful and fulfilling, and until you’ve experienced it, you cannot fully grasp how it can change your life.
Be a part of it. Audition. The very worst that can happen is that you will be asked to audition again. The very best thing that can happen is that your life will become richer, fuller, and more adventurous than ever before!
Take a chance. Join our family. Give us 16 bars, and we’ll give you a summer to remember!
– Christopher D. Brady,
Producing Artistic Director, Starlight